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Abstracks Vol. 1

by Eyeone

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1.
Abstrack I 06:30
2.
Abstrack II 06:59
3.
4.
Abstrack III 06:45

about

info : Fresh french phunky techno release “Abstracks Vol. 1” is the first part of the planned “Abstracks” series by monsieur Eyeone from Paris, France.
Eyeone is known from his releases on Resopal Red, the “Dancing with Moles e.p.”, his last release on Snork Enterprises “L´elephant rouge” or from labels like Buenda Onda from France or Cuba Recordings from UK which was his biggest hit and was licensed on the “Judgement Sunday compilation” on Ministry of Sound.
Side A with Abstracks I and II shows you Eyeone´s deep dark mood with their shuffled beats, braeaks and cuts and the deep groovy bass.
On the flipside there is the other abstract interpretation of “Abstracks I” from “Heinrichs & Hirtenfellner” who are known from their releases on Supdub, Karate Club, Highgrade. They also did a remix on Get Physical or other great labels. This track has a great housy beat , some nice vocal cuts and a wobbly background which makes the complete track shaking and grooving in the nice super dubby way we know from them.
Abstracks III with the Dubstep/Grime like buzzing bassline is the 4th track of this record and is a bit more experimental. This one will burn your subwoofer...
This release should get into the cases of all DJ´s who rock the floors with records of labels like Supdub, Mo´s Ferrys, Snork Enterprises, Resopal or M_nus.
Watch out for the label with the one eyed monster o ) hahahahahhhhhhhahhrhhhh......

credits

released September 30, 2008

w+p by Ivan Minthe
additional w+p by Heinrichs & Hirtenfellner

license

all rights reserved

tags

about

Snork Enterprises Hamburg, Germany

It's a distinct sound diving deep down into the spheres of genuine underground techno where bass-lines surround your mind and the fascination of a gloomy yet groovy world of sounds inevitably enters your head.
Snork Enterprises is a base for modern underground electronic techno music. It's not at all about being pretentious or arty for the sake of it. It's about real depth on the dance floor.
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